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    "Granner’s poignant tenor expresses Rob Hall’s adventurous spirit, his sense of responsibility... and his love for Jan."

    —Heidi Waleson | Wall Street Journal

     

     

     

     

     

    Nathan Granner sings As Rob Hall in Opera Parallele's new fully immersive film production, "Everest - An Immersive Experience."

    "Nathan Granner was a winning & worthy Chips, credible at every age, conveying his emotions with a stirring tenor of equal parts metal and warmth. He projected strength, dignity, compassion, and joy."

     

    —Joanne Sydney Lessner | Opera News

     

     

     

     

     

    Nathan Granner as Chips in Gordon Getty's new opera "Goodbye, Mr. Chips"

  • Operatic Tenor Nathan Granner enjoys a unique and diverse performing career which has allowed him to leverage his distinctive timbre and impressive range in a multitude of projects and productions.

     

    Most recently, Mr. Granner has achieved critical success in a challenging and unique mix of roles and works, including a reprise of his role of Korey Wise in Pulitzer Prize-winning The Central Park Five by Anthony Davis, a debut of Alfredo (La Traviata) with both Fort Worth Opera and Opera Santa Barbara, an on-film and studio album recording of the title role in Gordon Getty’s Goodbye, Mr. Chips, and Rob Hall in the award-winning animated film Everest, produced by Opera Parallèle and presented by The Dallas Opera (now being turned into an Immersive Experience).

    G​ranner’s unique versatility and easy command of varying styles of composition have led to engagements creating numerous New Opera roles for an extensive range of works, including Aubrey Wells in Today it Rains Laura Kaminsky (Mark Campbell / Kimberly Reed - libretto) and Korey Wise in the Pulitzer Prize-winning The Central Park Five by Anthony Davis and the title character in The Invention of Morel by Stewart Copeland and Johnathan Moore.

     

    New roles for the 22-23 season include Don Ottavio, Don José, Cavaradossi, and Bill Watson in Paul Moravec’s The Shining.
     

    Mr. Granner is fiercely devoted to various philanthropic efforts and has performed at dozens of charitable fundraisers with David Foster and Friends, Jamie Chamberlin, and countless others.

    In the process, he has helped to raise tens of millions of dollars to fund the research of cures for Parkinson’s disease, ALS, Cancer, Covid-19 and aid in the areas of children’s health, wildlife conservation, and wrongful incarceration. ----->>

     

     

     

     

     

     

     

    >> Granner’s early studies included training with Utah Festival Opera, Glimmerglass Opera, Wolf Trap Opera, Tulsa Opera, and Pittsburgh Opera Center. Granner was also a semifinalist at the Metropolitan Opera National Council Auditions in New York City. During one whirlwind period which showcased his varied interests and versatility, Nathan was singing on the stage of the Met, played his first rock performance in a popular Orlando bar, and was signed to a recording contract by Sony Classical. Between it all, he sang Camille in The Merry Widow at Light Opera Oklahoma and Beppe in I Pagliacci with Opera Tampa under the baton of Anton Coppola.

     

    Early career engagements for Mr. Granner include Nemorino at Lyric Opera Kansas City and Remus at Opera Theater Saint Louis. He also sang with the National Symphony Orchestra, Baltimore Symphony Orchestra, Irish Radio Orchestra, the Handel/Haydn Society, and Kansas City Symphony, performing the tenor parts in the Verdi Requiem, Beethoven’s 9th Symphony, Mozart’s Requiem, Elijah, Carmina Burana, Handel’s Messiah, Judas Maccabeus, and a number of Bach Cantatas (collaborating regularly with the Bach Aria Soloists).

     

    Nathan was a founding member of The American Tenors, whose Sony Masterworks Classical album reached top five in the classical crossover charts. He has also toured extensively with classical guitarist Beau Bledsoe, singing new arrangements of Lieder and Chanson, authentic Flamenco, Tango, and new compositions.

  • Opera AF - The Social Stream

  • News

    There is always something going on in the Granner sphere2022-23
     

    - Upcoming -

    Mr. Granner will sing four debut roles and workshop a new Laura Kaminsky Opera entitled "February" at Opera on the Avalon this season:
     

    Don Ottavio | Don Giovanni | Charleston Opera Theater | October 20th and 22nd (2022)

    Bill Watson, Lloyd the Bartender | The Shining | Opera Parallèle June 2,3,4 (2023)

    Cavaradossi | Tosca | Opera Orlando | October 27th and 29th (2023)

    Don Jose | Carmen | (Opera Santa Barbara) | September 2023

  • Features

    Goodbye Mr. Chips - by Gordon Getty - a new Opera adapted for film

    "Tenor Nathan Granner brings to the central role of Chips a voice of burnished tone and admirable flexibility, at times richly emotive, at others light and winsome, admirably distinguishing among the various epochs of the character’s life and career: - BY CHARLES GEYER La Scena Musicale

     

     

     

    EVEREST  - A Graphic Novel Opera

    Our wonderful Everest--A Graphic Novel Opera was selected by the Arizona International Film Festival @azfilmfest! and won the Jury Prize for achievement! There are So Many GREAT films out there and only so many slots available in these top festivals. Getting through to this step is its own journey.

     

    Heidi Waleson of The Wall Street Journal reports:

    -This ingenious production's vocal characterizations are distinctive: Nathan Granner’s poignant tenor expresses Rob’s adventurous spirit, his sense of responsibility for his clients—rather than leaving the ailing Doug behind, he drags him along and finally dies beside him—and his love for Jan. -

    Featured Video

    The Two Hot Shots | a Covid Vaccine Story - Adapted from Rossini's "Otello" Duet

    Normally this scene from Rossini's 1816 opera "Otello" is two guys (Otello and Rodrigo) arguing over the love of Desdemona, but in this scene, the two man are seated in a hospital room, waiting to get their vaccine administered. They bicker about their own macho ways, but when it comes time to get the vaccine shot, both at first, chicken out. All’s well that ends well, however, when the two finally take their medicine ... and sing really great high notes.

     

    About the Production: As we look to the road to recovery during this pandemic, one known obstacle is building vaccine trust. Many communities distrust the medical community and we wanted to create a project that reflected the honest and genuine concerns of communities but that ultimately illustrates the trust in science and our medical communities required to achieve large scale immunity that allows us to put this pandemic behind us.

  • The Blog

    Thoughts, musings, and ruminations.

    April 29, 2022
    ONE MORE STEP!Our wonderful Everest--A Graphic Novel Opera has been selected for screening by the...
    December 28, 2020
    I’ve been on the go since August 2019. This may seem odd for those with a regular job, but for an...
    April 12, 2020
    Jamie and I are having a blast working on these little education shows for LA Opera.  The times...
    More Posts
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