Quintana Artists
Nathan Granner enjoys a unique and diverse performing career which has allowed him to leverage his distinctive timbre and impressive range in a multitude of projects and productions.
Most recently, Mr. Granner has achieved critical success in a challenging and unique mix of roles and works including a debut of Verdi’s Alfredo with both Fort Worth Opera and Opera Santa Barbara, an on-film and studio album recording of the title role in Gordon Getty’s Goodbye, Mr. Chips, and Rob Hall in the award-winning animated film Everest, produced by Opera Parallèle and presented by The Dallas Opera.
"Nathan Granner was a winning, worthy Chips, credible at every age, conveying his emotions with a stirring tenor of equal parts metal and warmth. He projected strength, dignity, compassion and joy."
—Joanne Sydney Lessner | Opera News"Granner’s poignant tenor expresses Rob’s adventurous spirit, his sense of responsibility for his clients—rather than leaving the ailing Doug behind, he drags him along and finally dies beside him—and his love for Jan."
—Heidi Waleson | Wall Street Journal
Granner’s unique versatility and easy command of varying styles of compositions has lead to engagements creating numerous new opera roles for an extensive range of works including Kanye West in Fair Looks and True Obedience, to Aubrey Wells in Today it Rains and the Pulitzer prize-winning Korey Wise in The Central Park Five.
New roles for the upcoming season will include Don Ottavio, Don José, Cavaradossi, and Bill Watson in Paul Moravec’s The Shining.
Mr. Granner is fiercely devoted to various philanthropic efforts, and has performed at dozens of charitable fundraisers with David Foster and Friends, Jamie Chamberlin and countless others. In the process, he has helped to raise tens of millions of dollars to fund the researching of cures for Parkinson’s disease ALS, Cancer, Covid-19 and for aid in the areas of children’s health, wildlife conservation and wrongful incarceration.
Granner’s early studies included training with Utah Festival Opera, Glimmerglass Opera, Wolf Trap Opera, Tulsa Opera, and Pittsburgh Opera Center. Granner was also a semifinalist at the Metropolitan Opera National Council Auditions in New York City. During one whirlwind period which showcased his varied interests and versatility, Nathan was singing on the stage of the Met, played his first rock performance in a popular Orlando bar, and was signed to a recording contract by Sony Classical. Between it all, he sang Camille in The Merry Widow at Light Opera Oklahoma and Beppe in I Pagliacci with Opera Tampa under the baton of Anton Coppola.
Other early career engagements for Mr. Granner included Nemorino at Lyric Opera Kansas City and Remus at Opera Theater Saint Louis. He also sang with the National Symphony Orchestra, Baltimore Symphony Orchestra, Irish Radio Orchestra, the Handel/Haydn Society, and Kansas City Symphony performing the tenor parts in the Verdi Requiem, Beethoven’s 9th Symphony, Mozart’s Requiem, Elijah, Carmina Burana, Handel’s Messiah and a number of Bach Cantatas (collaborating regularly with the Bach Aria Soloists).
In the early 2000s, Nathan was a founding member of The American Tenors, whose Sony Masterworks Classical album reached top five in the classical crossover charts. He has also toured extensively with classical guitarist Beau Bledsoe, singing new arrangements of lieder and chanson, authentic Flamenco, Tango, Turkish music and new compositions.
FeatureS
Goodbye Mr. Chips - by Gordon Getty - a new Opera adapted for film
"Tenor Nathan Granner brings to the central role of Chips a voice of burnished tone and admirable flexibility, at times richly emotive, at others light and winsome, admirably distinguishing among the various epochs of the character’s life and career: - BY CHARLES GEYER La Scena Musicale
EVEREST - A Graphic Novel Opera
Our wonderful Everest--A Graphic Novel Opera was selected by the Arizona International Film Festival @azfilmfest! and won the Jury Prize for achievement! There are So Many GREAT films out there and only so many slots available in these top festivals. Getting through to this step is its own journey.
Heidi Waleson of The Wall Street Journal reports:
-This ingenious production's vocal characterizations are distinctive: Nathan Granner’s poignant tenor expresses Rob’s adventurous spirit, his sense of responsibility for his clients—rather than leaving the ailing Doug behind, he drags him along and finally dies beside him—and his love for Jan. -
Featured Video
The Two Hot Shots | a Covid Vaccine Story - Adapted from Rossini's "Otello" Duet
Normally this scene from Rossini's 1816 opera "Otello" is two guys (Otello and Rodrigo) arguing over the love of Desdemona, but in this scene, the two man are seated in a hospital room, waiting to get their vaccine administered. They bicker about their own macho ways, but when it comes time to get the vaccine shot, both at first, chicken out. All’s well that ends well, however, when the two finally take their medicine ... and sing really great high notes.
About the Production: As we look to the road to recovery during this pandemic, one known obstacle is building vaccine trust. Many communities distrust the medical community and we wanted to create a project that reflected the honest and genuine concerns of communities but that ultimately illustrates the trust in science and our medical communities required to achieve large scale immunity that allows us to put this pandemic behind us.
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