Operatic Tenor Nathan Granner enjoys a unique and diverse performing career which has allowed him to leverage his distinctive timbre and impressive range in a multitude of projects and productions.
Most recently, Mr. Granner has achieved critical success in a challenging and unique mix of roles and works, including a reprise of his role of Korey Wise in Pulitzer Prize-winning The Central Park Five by Anthony Davis, a debut of Alfredo (La Traviata) with both Fort Worth Opera and Opera Santa Barbara, an on-film and studio album recording of the title role in Gordon Getty’s Goodbye, Mr. Chips, and Rob Hall in the award-winning animated film Everest, produced by Opera Parallèle and presented by The Dallas Opera (now being turned into an Immersive Experience).
Granner’s unique versatility and easy command of varying styles of composition have led to engagements creating numerous New Opera roles for an extensive range of works, including Aubrey Wells in Today it Rains Laura Kaminsky (Mark Campbell / Kimberly Reed - libretto) and Korey Wise in the Pulitzer Prize-winning The Central Park Five by Anthony Davis and the title character in The Invention of Morel by Stewart Copeland and Johnathan Moore.
New roles for the 22-23 season include Don Ottavio, Don José, Cavaradossi, and Bill Watson in Paul Moravec’s The Shining.
Mr. Granner is fiercely devoted to various philanthropic efforts and has performed at dozens of charitable fundraisers with David Foster and Friends, Jamie Chamberlin, and countless others.
In the process, he has helped to raise tens of millions of dollars to fund the research of cures for Parkinson’s disease, ALS, Cancer, Covid-19 and aid in the areas of children’s health, wildlife conservation, and wrongful incarceration. ----->>
>> Granner’s early studies included training with Utah Festival Opera, Glimmerglass Opera, Wolf Trap Opera, Tulsa Opera, and Pittsburgh Opera Center. Granner was also a semifinalist at the Metropolitan Opera National Council Auditions in New York City. During one whirlwind period which showcased his varied interests and versatility, Nathan was singing on the stage of the Met, played his first rock performance in a popular Orlando bar, and was signed to a recording contract by Sony Classical. Between it all, he sang Camille in The Merry Widow at Light Opera Oklahoma and Beppe in I Pagliacci with Opera Tampa under the baton of Anton Coppola.
Early career engagements for Mr. Granner include Nemorino at Lyric Opera Kansas City and Remus at Opera Theater Saint Louis. He also sang with the National Symphony Orchestra, Baltimore Symphony Orchestra, Irish Radio Orchestra, the Handel/Haydn Society, and Kansas City Symphony, performing the tenor parts in the Verdi Requiem, Beethoven’s 9th Symphony, Mozart’s Requiem, Elijah, Carmina Burana, Handel’s Messiah, Judas Maccabeus, and a number of Bach Cantatas (collaborating regularly with the Bach Aria Soloists).
Nathan was a founding member of The American Tenors, whose Sony Masterworks Classical album reached top five in the classical crossover charts. He has also toured extensively with classical guitarist Beau Bledsoe, singing new arrangements of Lieder and Chanson, authentic Flamenco, Tango, and new compositions.
Opera Santa Barbara, La Boheme--
Nathan Granner’s electrifying Rodolfo occupied the center of the show’s Parisian universe --A gorgeous and beautifully sung production featuring some of the most exciting performances we’ve seen from the company ...
Santa Barbara Independent
-Charles Donelan
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